My Hangover Killed Lou Reed.

Gotcha with the title, didn’t I? This is not my work, but a piece I edited for jmww journal. (Title in lower-case, indicating depth and literary quality.) It’s by Richard Prins. My Hangover … is Prins’s second piece for me. Come back for his debauched rumble, Already Yesterday.

Acceptance!

I received an additional two rejections, but also the acceptance. The flash essay “Hong Kong, My Twenties” will run in the next issue of Under the Gum Tree.

A YTD Special Edition: Alle surpasses goal of 100 rejections in 2019

tally marksSubmissions:         131

Acceptances:           3
Rejections:               114

Good Rejections:    32

Publications            1

In a red-letter day for rejections – five – I went beyond my wildest rejection dreams. I received two rejections for short pieces and three rejections from literary agents for my novel.

I’m of the philosophy that writers who aim for 100 rejections a year get rejected more because we send out more. But we also get published more – because we send out more.

***

flkr daiji 4427349273_01627da72f_mIn other news, my short story that was accepted by Dale Peck for Evergreen Review is supposed to run any day/week. The story, “The Great Ultimate,” is an adaptation of one chapter from the novel I am currently trying to place. My hope is that agents read this respected magazine and will call me, for once.

How to travel as a writer.

Someone on Facebook asked for information about maximizing time when on a research trip for a novel. What ho!

  1. Set a time every day to FaceTime or Skype with your children.
  2. Have something else going on. For example, I practice Tai Chi. I knew that there would be a lot of parks where the Chinese community practiced in the early mornings. I made a point to be in the neighborhood park by 6am. I met so many caring locals. They told me great places to eat and insider tips about the city that your characters need to know. One also helped me figure out which neighborhood in Bangkok my main character would live in.
  3. Spend more time on your book than seeing the sights. Limit sight seeing to elements that appear in the book.
  4. Write or edit on the plane. You write; food arrives. Tea arrives. Life doesn’t get better–until your kids arrive!
  5. Use your computer rather than a notebook. On days I used my notebook, I was too exhausted to transfer my notes. Still haven’t.
  6. Go to a library. My novel is set in the mid-90s. In the 90s, no newspaper in Cambodia published on-line. I went to the library at the Hun Sen University and read bound, back issues of newspapers.

Bon Voyage!

100 Submissions as of September, 2019

tally marksSubmissions:         100

Acceptances:          2
Rejections:             69

Good Rejections:    26

Publications            1

Although I am 32 REJECTIONS shy of my goal of 100 for the year, I have somehow SUBMITTED 100 short pieces. As those pieces are reviewed, I expect to hit my goal of 100 rejections. 😀

As of this moment, I have 52 submissions out–short pieces, that is. I submitted  my novel, As Far as You Can Go Before You Have to Come Back, to seven different agents. I received a single form rejections. One. The rest: crickets. Even from the agents I knew or had a personal connection to; and those who had asked to review the complete novel as well. Chirp chirp.

Taking a critical look at my submission pages (usually, the first 30-50), I realized that in revising, I had opened the book at a chapter that was, mmmm, well, dull as a opener.

I am re-working on the  opening. And the rest of the book. I found a new editor, to give it a fresh eye. Do eyes other than my own refresh a manuscript! I expect to be approaching agents by mid- to late month.

Are we not David Sedaris?

I read a great question on Facebook, and decided to pontificate:

Have any of you solicited agents based on an essay (or essays) that you’ve published and feel would make a compelling book?

Yes. I learned:

  • essays are “harder to sell” than poetry, unless you have a massive platform such as David Sederis or Sandra Tsing Lo. 
  • You have to put together a proposal that is a cross between a nonfiction proposal and a novel proposal- – which are similar themselves, but there are differences. 
  • For example, in your query letter, the theme of the essay is more important stress (marketing! marketing!) than is the case when pitching the novel. 
  • Similar is that that the power of the writing the reason agents would chose and essayer novel, especially for a first-timer. 
  • It is best to have new essays, as well as previously published; again, unless you are “Joad Didion: Collected Essays.”
  • Small presses might take a more serious look that than what you might get from an agent/big house route.

Sorry to be so real-world disheartening. In no way should a writer cease pursuing her dream. Sometimes, something gives.